Tag Archives: Films

The Martian and Cast Away-Films Featuring Fortitude

green tree beside seashore near green mountain
Photo by icon0.com on Pexels.com

by Rick Bretz

Every now and then a movie comes along that can teach us a lesson.  Sometimes two.

Cast Away

Two of the best examples of this are from the year 2000 and 2015.  They are Cast Away starring Tom Hanks and The Martian starring Matt Damon.  One is a FedEx Manager while the other is an Astronaut and Botanist.

The Martian

In the digital color projection of these movies, the script carries a message that the audience can use long after the credits have rolled past as they file out of the theater.

gray and white robot
Photo by Pixabay on Pexels.com

Both stories involve some form of flight.  The Martian’s Matt Damon character is left behind when the crew must initiate an emergency lift-off from the Mars’ surface.  The other begins with a plane.  with Tom Hanks aboard, crashing into the Pacific Ocean far from civilization.  Hanks drifts exhausted in his life raft until hitting an Island.

Both barely escape death at the beginning of each movie.  From there, life and the movie really begin. The theme is clear to the audience—survival.

Another Tom Hanks movie comes to mind when thinking about these characters. In Apollo 13, the Ed Harris character portraying actual Flight Director Gene Krantz shouts to the Apollo ground crew, “Let’s work the problem people. Let’s not make things any worse by guessing.”

Hanks and Damon spend almost the entire movie deciphering, untangling—literally, and solving their challenges to remain alive.

“You solve one problem… and you solve the next one… and then the next. And If you solve enough problems, you get to come home.”–Mark Watney.

FOOD-A critical obstacle to hurdle was finding food, or in the case of Damon, figure out how to increase the food supply to last for many more Sols until mission control could figure out a rescue plan.  For Hanks in Cast Away, he needed to find food that would sustain life for months and years.  Living on coconuts was not going to cut it for very long.  Hanks needed fish and fire.  He figured out how to create both.

SHELTER-The other Hierarchy of needs involves making, finding or moving your shelter.  For Hanks, it meant first using the life raft as a lean-to tent and then moving into a cave by the ocean.  Damon had shelter at first and then a disaster forced him to rethink his shelter plans and move into the Mars rover vehicle.  Each one adapted to his circumstances as the movie move along.

Maslow’s Hierarchy of Needs

MOVEMENT and TRAVELLING-Transportation moved both movies along.  For Hanks, it was the plane, then the life raft, then building a raft out of logs and manufactured rope by the end of the movie so he could be picked up by a freighter, then flown home and then get his old Jeep vehicle from the beginning of movie.  Damon’s character had the rover, but he also had to figure out how to sustain the battery life over long distances.   This needed to be done to reach the spacecraft he would use to carry him to safety.  He had to adapt the spacecraft to lighten the load so he could reach the recovery spacecraft waiting for him.  This and he still had to get creative at the end.

COMMUNICATION MODES-Communication was a significant part of each movie also.  Damon’s character solved the communications issue by finding a communications satellite, digging it out of the sand, bring it back, then assembling it and turning it on.  From there, remembered that he could communicate by computer language ASCI table, using the hexadecimal and character columns and transmitted pictures until they could get the rover communications altered to send out messages.

Hexadecimal Language

Hanks’ issue involved more than just communicating with his rescuers.  First, he tried to alert any rescue planes by making a help sign in the sand and then by using sticks.  When he realized that “help” would not arrive any time soon, his next problem was loneliness, evolving into suicidal craziness from not talking to anyone.  He used the trick of making an inanimate object his best friend so he could talk to her and then bounce off ideas to see if they were valid.  I use bounce because the object was a ball named Wilson and could have been a replacement for his girlfriend Kelly Friers, played Helen Hunt.  His next communication was equally important, talking to the lady whose package he saved from the very beginning.  He was at a crossroads literally and figuratively in life and the director left it up to you to complete the story.

TOOLS FOR SURVIVAL-Tools and how to use them played an important part for both characters. Damon used the tools he had to start planting crops and to save himself with duct tape.  Hanks used netting from a dress to catch seafood and used the blades on a set of skates for a sharp instrument.  In the end, the most important tool was a left-over damaged port-a-potty for a sail to get him out to sea. He also used tree bark for rope.

Resiliency and Determination-Both Damon and Hanks had the intestinal fortitude to overcome circumstances put in their paths.  They also had the ability to recognize when they needed to take a chance.  For Damon,  exiting the spaceship at the right time to meet with the tethered rescuer proved opportunity combined with preparation can yield a fortuitous outcome.  For Hanks, his decision rested on building a raft with a makeshift sail so he could have a chance of reaching a sea vessel.

Movies are chiefly for entertainment purposes but some of them can teach us life lessons.  If life puts a rock in front of you, it doesn’t mean you can’t work the problem and solve it, and then move the rock out of the way and get on with your life.  Nothing is permanent–except traffic, death, and taxes.  Everything else is temporary and can be overcome, even taxes if you have the right accountant.

Matt Damon said it for everyone again at the end of his movie.  “You solve one problem… and you solve the next one… and then the next. And If you solve enough problems, you get to come home.”

In life, if you solve enough problems, you get to continue because you just never know what the tide may bring in.

The Best of Cleopatra

Harvard_Theatre_Collection_-_Sarah_Bernhardt_TCS_2_(Cleopatra)

by Rick Bretz

 

As Egyptian Queens go, my favorite is Nefertiti, a name meaning “A beautiful woman has come.”

http://www.biography.com/people/nefertiti-9421166

In spite of preferences, there was another queen that gets most of the headlines and movie titles.  She would be Cleopatra.  It’s interesting to note that Cleopatra as a movie role has been taken on by many actresses.  She might be the most attempted historic role attempted by actresses, other than Queen Elizabeth I and the current Queen Elizabeth, since the first frame of celluloid was run through a projector. It’s interesting to compare how actresses interpret one personality in history.

The portrayals that stand out in history are delivered by Theda Bera, Claudette Colbert, Vivien Leigh, Sophia Loren and Elizabeth Taylor.  Other actresses have also attempted Cleopatra such as Monica Belucci but I want to concentrate on the five.

The Face of Cleopatra? Find out.

http://www.historyextra.com/article/ancient-egypt/face-cleopatra-was-she-really-so-beautiful

Cleopatra was of Greek Macedonian heritage but quickly learned the Egyptian language and identified with the Egyptian culture. This effort endeared her to the Egyptian people. She was a shrewd politician who maneuvered her way to be the sole ruler of Egypt. Empress Catherine the Great, who ruled Russia in the 1700s, followed this example by learning the Russian language early on in her education and immersing herself in the Russian culture when she came from Prussia to marry the future Peter III.

http://www.smithsonianmag.com/history/who-was-cleopatra-151356013/

The comparison among the five portrayals of Cleopatra is an interesting exercise but for the time they were released they were all noteworthy.

theda bera as cleopatra

Theda Bera-1917

Theda Bera, the silent screen’s first sex symbol, took on the role of Cleopatra in the silent film days in 1917.  This one is a challenge to assess because only a few seconds of her performance exists.  Since she was one of, if not the first, to take on the role of Cleopatra, you have to give her credit.   She set a standard for others to follow.

http://www.imdb.com/name/nm0000847/

https://www.youtube.com/watch?v=OWn7L2pL5dI

-claudette-colbert-cleopatra

Claudette Colbert-1934

Claudette Colbert appeared on-screen in “It Happened One Night” and “Cleopatra” in the same year, 1934.  She showed some range that year.  Colbert had to have the look for Cleopatra but also at that time a speaking voice that recorded well for the movies. During the transition from silent film to “talkies” many actresses and actors were left behind due to poor speaking voices or voices that didn’t match their appearances on screen.  She had both, the look and the voice, and her portrayal shows it in the strong personality she shows on film in the Cecil B. DeMille production.  Cecil B. DeMille knew how to stage an epic. Although this film is shot in black and white, the pageantry of it competes with epics of today,  Colbert, however, takes over the screen next to her co-stars and displays a strong national leader from the beginning to the final frame.   In a nod to her hitchhiking scene with Clark Gable for “It Happened One Night”, she essentially did the same thing for Julius Caesar and Mark Antony as they applied their brakes to their horse and carriages to court Cleopatra.

http://www.imdb.com/name/nm0001055/

http://www.cinemagraphe.com/cleopatra-1934.php

https://www.youtube.com/watch?v=VTbs3va862A

 

 

Vivien Leigh-1945

If Vivien Leigh can seduce Rhett Butler, she can certainly do the same with Julius Caesar.  Although she has the look, she is not an actress that you think about when considering for the role of Cleopatra. She seems to play the part more playfully than being a tactful political rival and nation ruler. Leigh’s Cheshire cat smile seems to take away from cunning and ambitiousness.  Leigh does an admirable job as well as the supporting cast, especially Claude Rains as Caesar, but it is not the best of the lot.

http://www.imdb.com/title/tt0038390/

http://www.imdb.com/name/nm0000046/?ref_=tt_cl_t2

https://www.youtube.com/watch?v=JzPbWQ1yeZk

 

Sophia Loren-1954

This Italian film is more famous for Sophia Loren playing Cleopatra and the dual role of the slave girl look-alike who tries, with help, to make her way into the royal palace pretending to be Cleopatra.  It’s more of a comedy than a serious epic but Loren as Cleopatra is intriguing.

http://www.imdb.com/title/tt0045712/

 

 

cleopatra Elizabeth taylor

Elizabeth Taylor-1963

Elizabeth Taylor’s Cleopatra is perhaps the most well known or notorious of the actresses depending on your point of view.  The film’s cost over runs due to production problems, actor’s salaries and the cost of building the sets ballooned the budget from 2 million to some reports say 44 million, and that’s 1963 money. Contrary to popular opinion, it wasn’t a disaster it eventually made money and garnered 9 Academy Award nominations.  The on-set romance between Taylor and Richard Burton notwithstanding, Taylor’s version of Cleopatra rivals that of Claudette Colbert in its sexual nature and she portrays Cleopatra as a political figure and manipulator.  She captures the film the moment she rolls out of the carpet.  At that time, she was as powerful in Hollywood as Cleopatra was in Egypt and her 1 million plus salary proved it.   Despite the negative publicity it remains an epic to this day.

http://www.imdb.com/title/tt0056937/

https://en.wikipedia.org/wiki/Cleopatra_(1963_film)

http://time.com/3877380/cleopatra-rare-photos-of-liz-taylor-richard-burton-on-set-in-1962/

https://www.youtube.com/watch?v=h-IxtDdeL7

https://www.buzzfeed.com/briangalindo/15-things-you-might-not-know-about-the-movie-cleopatra?utm_term=.pboz6AQRx#.vbQEVb7Br

 

The rankings:

  1. Elizabeth Taylor (Because it was shot in color and had terrific sets)
  2. Claudette Colbert ( A close second)
  3. Theda Bera (She was the first)
  4. Vivien Leigh (She ‘s Vivien Leigh, worth a look)
  5. Sophia Loren (Only because it was comedy and not an epic)